So how's everyone been?

I've been extremely busy lately. But now I'm finally just really busy again, so I can post infrequently on my blog.

Not "often" or "occasionally", mind you, but "infrequently". Which is more than every two months or so. I'll try to get back onto a weekly schedule.

But in the meantime, please check out the many awesome (and much more frequently updated) blogs on my sidebar at the right. Michael Chang has a swell new post with storyboard images from "Things Change", which is an idea I'm absolutely stealing.

You know what, I almost forgot the copyright stuff. So Beast Boy, Cyborg, Robin, Slade and Starfire are ™ and © DC Comics. The gorilla might be Monsieur Mallah (I can't remember whether I meant it to be or not), and if he is, then he's ™ and © DC Comics. Otherwise, he's ™ and © me. Also, I guess the donuthead guy is ™ and © me, but I'm pretty sure I'm not the first person to draw a guy with a donut for a head.

In search of a gag

Some time ago I promised to post an example of an idiot-style drawing that had a practical application. Of course, I also promised a moratorium on the Super-D - but I'll still keep the first promise. Here's a page of idiotic scribbles in search of a gag for "X".



Sometimes it helps to feel your way through a scene like this before you storyboard it. Most of this was in the script (probably not the multiple SD Starfires), but I can't find a copy of the script around, so take my word for it for now. I still wonder if the gag would have played better with a full-sized Starfire standing on Robin's head. Also, it looks like I forgot to include the drawing of Robin with an X in place of his eyes. Oh well. Another X gag lost to the pressures of deadlines. Remember kids, haste makes waste. I think we hid enough Xs in the show as it is. In any case, that becomes this -
















And then we make this (this is my only character design for Titans)-



Then Derrick takes a pass to make it actually look like the rest of the show, Chris Hooten colours it, and we get this-



And then Tom McLaughlin adds the timing, and it gets sent overseas, where Lotto subjects it to their mysterious and wonderful processes. Then they send this back to us-



Then Joe Gall plugs that into his avid and turns it into this (I don't know why this is the only version I have in widescreen)-



The next step is very mysterious to me, since I'm not involved in any way. Someone writes some music, someone else adds some sound effects, Scott redubs a line or two of dialogue, and they all get mixed together to make this -



I guess I kind of lost track of the point in there somewhere.